luther "the big shy one" hargreeves | #00.01 (
obediences) wrote2019-03-08 09:00 pm
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numberthree.

And I’d choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I’d find you and I’d choose you.
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I maybe, possibly, saw you in one of those little bubbles on the cover of People magazine, and one of the back stories had a little feature about it and the people who were getting closer to it. It was talking about how Whoopi Goldberg had gotten it the most recently. I didn't even know what it was until then, though, or that she'd gotten all four. I liked her in Star Trek.
[ People was absolutely not his usual reading material. It wasn't aeronautics handbooks or science textbooks or even poetry. But if he passed the magazine rack and he saw Allison's face— well. He bought the stupid magazine, and he read it cover-to-cover like it had been assigned to him for homework. ]
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You read People now?
[ Likely better than pointing out none of those awards were for Star Trek or that she'd spent a good deal of time looking at the woman's life for reasons that hadn't made themselves clear until she suddenly wasn't inside the walls of The Academy.
In The Academy, she'd been one among seven, six really, and always among the top three. Here, she was a black woman in Hollywood, one of so few who made it even this little way she had, and it meant so many things her childhood never once prepared her for. ]
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(Luther has been trapped in amber compared to all the rest of them; pressed to the Academy posters as a snapshot frozen in time, an ever-smiling static image of the picture-perfect superhero, just getting taller and his shoulders filling out. He hasn't changed much, he thinks.
That's the whole problem.)
But for now, in these precious minutes, at least he can talk to Allison and joke around and feel that frivolity lifting his heart. ]
How have you been, otherwise?
[ There's another possible question burning the back of his tongue, but he can't quite work up the nerve just yet. ]
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[ The man considered most of her interests subpar from where he thought they should be, but it was mutual. Because she hated most of what he said and did, the unceasingly casual insults and caustic opinions. Holding ever out of reach anything so much as a 'Good job.' ]Well enough. You're lucky you caught me on a day off. I'm not always home at anything like regular hours. Bea's out for pretty much the exact reason — which you should know —
[ Flips mid-sentence while she's still mostly watching her toes curl in and out, in and out, press on the foam, then released, trying to figure out if this should feel weird or good. ] She can't stop talking about you now.
I think she had decided I was a single act with no guest appearances, and now, who knows. I think it's down to her selling tickets for your autographs out the front door or getting me to try and set you up with her.
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His balance wavers a little, and he lets his weight slide down against the wall until he's sitting on the floor of the hallway. One long knee drawn up, the other leg still sprawled out with his boot now resting against the opposite wall, his pose inadvertently mirroring Allison on the opposite side of the country, without even knowing. ]
That's not. I mean, she seemed very nice. But I'm not.... that's not even.
[ He is not making very coherent sentences. ]
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She'd always hated that for the stupidest of obvious reasons.
But it'd only made her baited teasing that much sharper.
Her disdain. Her rejection of those idiot people.
There's a burr in it, but it's further away.
Isn't it?
(Except she'd never consider doing for Bea, would she? Not even now?
Not even just because they'd be the worst match on the planet.
Or that Luther's never coming out of that walled tower.
Which just made her an idiot still. Too.) ]
It's cute that you think you get a vote when Bea and her machinations are concerned.
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The prospect of Allison setting him up with someone, though, is terrifying and wrong for so many other reasons. ]
Tell her I'll sign whatever she wants. But I'm not, um, the other thing.
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It's s stupid game to play, but when has she ever done well at resisting what she wants.
It feels. Good. And she wants to let it be. At least until they hang up.
Which only makes her words cant more teasing.
Every option an exit to alarm him. ]
Maybe 'whatever she wants' is a little bolder than you want to sign on for, too.
The next thing you know you'll be signing very personal body parts she's getting tattooed over.
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I still remember the very first time that happened at a media event. It used to be signing slips of paper, then it was print runs of the comics, then we got older and it was Sharpies and cleavage. I never said yes to those requests. It was just too awkward.
[ Like the Academy were pop stars with screaming fans, rather than soldiers. The Monocle had fostered the reputation, encouraged it, and a few of the children had hungered for it: the fame, the attention, the perceived power. (Although it wasn't real power, of course. They were commodities.) ]
Have you heard from any of the others lately? We could foist Diego on her, maybe. I've heard women are supposed to like the whole 'dark and brooding' thing he's going for.
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Maybe not...Luther. But definitely not Diego.
"Maybe you should write her letters and let her down gently," is teasing, though Allison can feel the way even the joke makes her ribcage feel too tense, too tight. The idea of Luther squirreled away, privately engaged in closed conversations, having in-jokes with someone else. She's twelve, thirteen, fourteen; not even wanting to share him with Diego, with their Father. Greedy and wanting as only The Rumor could be, having gotten her way in so many things for so long. And this one was all the sweeter because she'd never forced him to pick her. Not once.
(Not even the one time he didn't pick her at all. Forever. The end.)
"But, who knows, maybe that would lead to handwriting analysis and shrine building."
"Maybe it's best to just never come back, and hope she finds a suitable replacement obsession. It'll probably only take 4-5 business—" She is snappy and fast, and it's light, even if a little more forced, while she tries to frown at her own emotions. But she snaps the end with a flick, too, making it more outlandish. "—months."